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Gathering of Kindred Folk Re-imagining Higher Education!

Gathering of Kindred Folk Re-imagining Higher Education!

Posted by on ago 12, 2015 in all posts, on the road | 0 comments

As you may be are aware, there is a knowledge movement slowly building all over the world, an emerging network of lets call them Eco-versities for now – of people and communities reclaiming their local knowledge systems and imaginations to restore and re-envision learning processes that are meaningful and relevant to the call of our times, that cultivate new stories and possibilities, that re-connect and regenerate diverse ecological and cultural ecosystems.

El Manzano course strings  copy

From the start of our adventures in this landscape of these diverse ecologies of knowledges focusing on Higher Education emerging around the world we dreamt: – what if these places could share their experiences, knowledges, their learning approaches amongst and between themselves and strengthen the beautiful and important work they are all doing?! What even more wondrous and powerful transformations could occur! As we visited places across different countries, as well as writing and making films, we took on ourselves the role of traveling story-tellers – telling stories to people we met of the other places we had visited and what they had been doing. Some links between places started to emerge through this as people and places begun to hear more about each others’ work.

Now that our physical journey to many of these places has come to a rest, as well as carrying on writing and editing the films, we have put our energy into that original dream.

We are really excited to have co-created with Manish Jain from Swaraj University (Udaipur, India) a Gathering of Kindred Folk Re-imagining Higher Education! This ‘Re-Imagining Higher Education’ event will gather more than 50 other leading visionary-doers and thinkers from more than 20 countries at Tamera Peace and Research Centre, an eco-village in southern Portugal this August (from the 20th – 26th).

We are gathering this group from a variety of learning places around the world – to share experiences, wisdom, insights and challenges to learn about how transformative learning is being imagined and enacted in each place. Our primary focus is to bring together people who are hosting or who are deeply involved with ‘alternative’ or ‘post-traditional’ places of higher education, or who are somehow re-imagining higher education in their work. Many of these have emerged from different social movements, ecological movements and indigenous communities.

During the six days we will spend together in Portugal we will host an interactive process through a structured un-conference format where there will be a lot of time for sharing and co-creating with self-organizing sessions and open-spaces. Our intention is to co-create a gathering that can propel this movement forward, where stories are shared, creative sparks fly, and friendships and alliances are woven. We hope to be able to explore common emerging themes such as sustainability and social justice; unlearning and decolonizing; indigenous ways of knowing; healing; gift culture; re-engaging community, nature and the built environment; local media; literacies; the question of certification; mentoring; rites of passage; right livelihood and social/eco entrepreneurship, and many others. We will keep you posted on how the event goes on our Facebook and Twitter page. We will also let you know how you can participate in this emerging network.

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Food-“E”-scapes – Part 1: Learning Food

Food-“E”-scapes – Part 1: Learning Food

Posted by on nov 25, 2013 in all posts, on the road | 0 comments







When we set off on this journey I never imagined that I would learn so much about food. I did not consider that what I knew, thought and felt about food would change so much nor that I would be exploring the connection between food, learning and higher education.

As it turned out, I have come to learn quite a lot over the last year about the various ways that food is connected to our identities, our relation to our environment, to humans and non-human beings, but more broadly on the various processes of production, processing and waste surrounding food. All of these processes and the different relationships, practices and experiences they create have diverse, and often competing, kinds of knowledge systems behind them – distinct paradigms and cosmologies and as such this has become a key topic in Enlivened Learning.

I am calling this total system of relation to food, involving relationships, knowledges and practices, the foodscape. This is not a made-up term as there seems to be increasing use of it, especially in Geography (not to mention by certain photographers who make cities out of vegetables – just google it). I guess a foodscape is the particular way in which we relate to, know and intervene upon particular aspects of the environment involved in our sustenance.

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It is strange to think how, without a conscious intention, so many of the posts Kelly and I have written here over the last few months have been about foodscapes: Blackfoot Buffalo hunting and the extermination of the herds by the settlers; Blackfoot knowledge of the land, plants and animals in Alberta; the cultivation of corn and the rise of Meso-American civilization; urban gardening and dry compostable toilets in Oaxaca; communal agriculture amongst the Quechua Lamas in Upper Amazon in Peru (choba choba); extractive forest reserves and the struggle of indigenous communities, rubber tappers against rich landowners in the Amazon region in Acre, Brazil; the Landless Movement’s (MST) struggle for rural peasants and against agribusiness across Brazil.

Lamas - chacra - choba choba.jpg

Before we head into the other higher education initiatives we visited in Latin America I wanted to reflect a bit and try to synthesize some thoughts, experiences, readings, sharing some of what I have learnt around all this.




What was noticeable within almost all the learning places we visited in our journey was the centrality of foodscapes in their knowledge and pedagogy (teaching/learning practice and philosophy). This in turn made me consider the almost complete absence of learning about foodscapes in my own educational trajectory.

Unitierra - urban roof garden 2.jpg

No doubt people have different experiences of this, but what I remember from my formal education in respect to this is learning about the digestive system in biology, and maybe a bit of nutrition, a vague memory of something called Rural Studies when I was 14 (where we learnt about sheep and the teacher dissected a rabbit). I remember that cooking classes, or Home Economics, was fun but all I remember from there was making a swiss-roll and profiteroles. I do not remember ever really being taught where my food came from, how it was grown, produced and processed and where, what knowledge was involved in these processes and what kinds of foodscapes exist or have existed.

Peru - medicinal garden 2 pueblo.jpg

This has prompted me to think about the great ‘E’ that has inserted itself in the center of our food-‘E’-scape in our industrial society. That is, how often the systems industrial society creates for sourcing, processing and selling food means an ever-greater distance, or escape, from the importance of wholesome food relationships.

In contrast, the centrality of foodscapes in the places we visited reflected a greater concern, reciprocity and care for the land, the environment and all its beings, for sustainability in the use of resources for the production of food and shelter and in the water system and in the production of waste. Many of the places also showed a much greater awareness and care for the economic relations between those involved in food growing with concepts of cooperative work in growing food being key organising nodes (especially in indigenous communities – ie. comunalidad in Oaxaca, Mexico, choba choba in the Peruvian Upper Amazon with the Quechua Lamas).

Sao Paulo, MST, garden.jpg

As well as the communal production of food we also noted the great importance of cultural activities surrounding cooking and eating. As Gustavo Esteva, founder of Unitierra put it, the term comida in Mexico means much more than the English term ‘food’ – it is not just about material sustenance but the whole complex culture that surrounds cooking, sharing food and eating together. Perhaps this is much closer to the notion and movement surrounding ‘slow food’ which started in Italy in the 1980s as a re-assertion of local culinary cultures and practices of sourcing food in the face of the onslaught of globalised industrial Fast Food culture and agricultural production. I write more on the Fast/Slow food battles in the next post.

Oaxaca - indigenous resistance corn advert.jpg




I have been wondering and learning about the consequences of our Food-E-scape – how we have become so dramatically cut off from the sources of our food, from the beings we eat and the landscapes they inhabit, from how they are killed and processed and transformed and stored and transported.

We, collectively in contemporary society, or at least the highly industrialised urban part of it, seem to learn (and educate the newest generations) so little about how our Food-E-Scape is severely transforming and destroying bio-diversity, soil, waterways, increasing pollution, affecting the climate and using the Earth’s resources in an unsustainable way.

It has also come to my attention how this lack of education or mis-education is actually being promoted by the few large corporations that are in charge of the agro-industrial Food-E-Scape, especially in places like North America.

As I recently learned in reading Michael Pollen’s excellent 2006 book The Omnivore’s Dilemma and watching several well-made and informative documentaries King Corn (2007), Food Inc. (2008), The World According to Monsanto (2008) abattoirs, meat processing plants, chicken factory farms and even high fructose corn syrup processing plants all refuse access to their facilities to those interested in learning what goes on inside.

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Further, agri-industry and bio-tech industry lobbyist, scientists, lawyers and managers wield tremendous power in Washington D.C. and are involved in drafting the legislation to oversee the industry or, as is often the case, convince politicians that no oversight is necessary. Huge pressure is also exerted on the government to keep the subsidies going for farmers to increase the production of commodities like corn and soya which are largely responsible for the current shape of US industrial agriculture.

A recent state-wide referendum in Washington State to introduce labelling on genetically modified foods was defeated at the ballots even though the pro-label group had a large early lead in the polls, after millions of dollars of Monsanto cash supported the advertising campaign of the anti-label side. So millions of dollars are being spent by large agri-business and biotech companies on keeping us ignorant of what we eat and also to reassure us that genetically modified foods are “safe, healthy and good for the planet”.

But I have also been considering the omission of our educational institutions (schools and higher education) of engaging more with our foodscapes. By this I don’t mean just things like campaigns on healthy school lunches, though these are also important, but more awareness of the various aspects of the totality of our foodscapes. How different might learning be in these institutions if learning was also grounded in the foodscapes we are immersed in was a core part of the curriculum, regardless of what degree you did? A part of a wholesome education. As Kelly wrote in the previous post, quoting David Orr, all education is environmental education by virtue of what you teach and omit.

unitierra urban agriculture workshop.jpg

I remember a conversation with Jailson de Sousa e Santos, founder of the Observatório das Favelas, a grass-roots community organisation involved in education, research, capacity building and media communication in Maré, Rio’s largest favela (shanty-town). Jailson started ESPOCC, the School of Critical Communication to engage students in the field of media literacy and critique and give them tools through which to combat the toxic dominant media representation of favela communities in the country.

Jailson, who grew up in Maré and is also a Geography professor in the State university, talked to us about the model of the human being that is promoted in formal education – including universities – painting an image which has stayed with with me. This being – a veritable homo academicus – has a huge head in which to fit a large brain needed to think and record facts, a large hand to constantly write down things and a big ass on which to sit all day on a chair. I imagine the rest of its limbs atrophying from underuse, the rest of its faculties, de-sensitized fail to experience the world in all its wonderful complexity and relatedness. How is the stomach of such being? (We do apparently have millions of neurones there too, so have scientists have recently told us!) We don’t really learn with our stomachs, we don’t think or feel with our guts in these institutional settings.

homunculus.jpg

Travelling backwards up the Americas for thousands of miles to Southern Alberta another image of the human being comes to mind from what Ryan Heavyhead a Blackfoot teacher at Red Crow Community College spoke about in his approach to teaching. Ryan runs a year-long Phenology class for the Kainai Studies students at Red Crow (Kainai is one of the four Blackfoot bands which is resident in this territory).

Phenology is the study of plant and animal life-cycles and the relationship of these to seasonal change. Ryan’s class, as I have written about elsewhere, involves getting students to find a place and sit and learn it for five hours a week until the beings of the place become more familiar, and begin to show you things. This goes on for one year – a whole period of lunar cycles – the important marker in the Blackfoot calendar. After this year was completed the students were so transformed by the experiences they asked for a continuation of the course which Ryan created as a second year ‘Traditional Blackfoot Foods’ course. Here students learn to forage, gather, hunt and prepare traditional foods of this territory, sourcing them at particular times of the year.

Ryan and Adrienne by pond.jpg

Ryan’s immersion in the Blackoot foodscapes was impressive. He, and his wife, had re-learnt much that was forgotten in this territory about sourcing and preparing traditional foods, with the ‘old ways’ forgotten through the imposition of residential schooling (see post on this) but also the encroachment of settler lifestyles and their own foodscapes.

Ryan, amongst the many interested things he taughtme, said something that has stayed with me and is relevant here. That for the Blackfoot the relationship with non-human beings is essentially a relationship of food and that to really enter such relationships is to become fully human. At first this idea might seem strange, from a Western educated mind-set it might bring forth ideas of the ‘survival of the fittest’ of the struggle for survival through domination and consuming another. It reminded me of the Upanishad quote (an ancient Hindu sacred text) translated by Yeats in a film I once saw: “Everything in this world is eater or eaten. The seed is food and fire is eater.”

But this is to misunderstand the respectful and reciprocal characteristic of the relationship to plants, animals and place in the Blackfoot knowledge system that Ryan articulated. To enter a ‘food relationship’ does not mean that you just eat the food, but that you come to learn about the plant and animals being you are eating, about their life-cycles, their environment and their relationship to other beings.

It also means that you are indebted to the being that you eat and to their kind, as in so many hunter-gatherer groups, and so must reciprocate by not taking more than you need and by giving something back to them and the environment. The relationship of food is then not solely one of consumption and domination but of deep respect, gratitude and reciprocity.

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How distant these ideas and practices seem from the agro-industrial oil and chemical fed machinery that extracts produce from the Alberta landscape now. Narcisse Blood, a Blackfoot elder who also taught at Red Crow College, lamented the waves of monopolies in this region, first, he told us, there was the Hudson Bay Trading Company and “Now we have Monsanto” monopolizing and transforming the agricultural landscape through a destructive form of farming.

Cut to the isle of a giant supermarket, could be anywhere, but say in the US, where the products of those fields end up. I stare down a neon-lit corridor of brightly packaged food – a cornucopia of diversity. What a multiplicity of flavor combination and shapes and consistencies and colours! But the sheer diversity of products and company names hides their often common source in only a few large parent companies which own most of the homely and rustic seeming brand-names.


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I read the labels on a few products, the diversity of ingredients also hides their often common source in a variation of corn, most frequently high fructose corn syrup or some corn (or soy) additive or preservative. This is the relation of food to many of us – one of reading – oh homo academicus… More recently I have learnt how much the seeming multiplicity of the US diet and by consequence of US people is made of corn. You can trace back the carbon we have in our bodies which bridge our cells to their original source and this in an average North American is around 70% corn!



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As a key institution of social reproduction, our education system (including our universities) surely has a role in shaping how we understand and relate to our foodscapes and the kinds of knowledges and technologies it creates in relation to this. (I write more on the conflicting knowledges and technologies shaping our foodscape and those of many other places around the world in my next post).

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On a theological – or maybe spiritual note – I was really struck by what Cezar Añorve, an architect from Cuernavaca, Mexico, and in his word ‘cacologist’ (an expert on caca), said recollecting one of his last conversations with philosopher and theologian Ivan Illich. Cesar has spent most of his life promoting awareness of our how we might deal with our poo without polluting water (see the posts on this), in this he was influenced by his life-long friend Ivan, whose works entailed a critique of industrial civilization and the possibility of a post-industrial world built on a more local and human scale, emphasizing values of friendship and conviviality. Ivan died in 2002 and in his last conversation with Cesar, he had told him that “The highest offering we can give to God is not our head or our hearts, but our guts”.

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I have often thought of this phrase in relation to the large scale damage being done to the ecosystem through the unsustainable agricultural practices and technologies being developed which are negatively distorting life itself in some many directions (see next post on this). I have wondered what it might mean to offer our guts to a higher value or principle, one that seeks to support the continuation of the web of life in its intricate and delicate balance.

I also often think of Ryan’s comment on the Blackfoot relations to non-humans as being one of food – meaning not just consumption but also interest, respect, gratitude and reciprocity acknowledging the role they play in the perpetuation of life. In the foodscape I have been raised in, we were not taught to think enough with our guts, nor extend our gratitude and interest (in practice not just prayer) to the beings that give us life. But this does not mean things cannot change. To change how we think about and relate to these beings and their environment, thinking with our guts, may well be a big step toward such transformations.

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Imaginary Struggles

Imaginary Struggles

Posted by on jun 27, 2013 in all posts, Brazil, ESPOCC | 0 comments


I started writing this post a few weeks ago. Since then the bubbling discontent we witnessed across Brazil when we were there in January and February in relation to a number of social and political issues including the huge costs of the upcoming World Cup has spilled out into the streets.

People across the social spectrum have got fed up with the way the World Cup costs have spiralled up, sucked public money into private coffers and at the same time, across the country, displaced people and destroyed parks and other common spaces for the building of new facilities. In some cases like the Maracanã Stadium in Rio de Janeiro, this historical stadium will be operated by a private company in the first time in its history.

People have also got fed up with the rising cost of living in the country (in part a consequence of the Games), with the rise in public transport costs, but most of all they are fed up with corruption, with the failure of the rising economic growth to tackle the problems in the health and education system in the country.

Brazil has not seen such mass protests in twenty years and it looks like the government is going to have to listen. The post I write here, is about the struggle of media spaces and the images and stories which are produced about, and now increasingly from, marginalised places like favela communities. The post relates to the present struggles in Brazil in as much as the media continues to be a place of contest where a battle over stories and imaginations is also waged.




Imaginary: Existing only in the imagination () Origin from Latin imago which in psychoanalysis is an unconscious, idealised mental image of someone, say a parent, that influences a persons behaviour.

Favela: a group of dwellings with high density occupation, the construction of which is carried out in a disorderly fashion with inadequate material, without zoning, without public services, and on land which is illegally being used without the consent of the owner

(Official Bulletin of the Brazilian Secretariat of Social Services quoted in Perlman The Myth of Marginality 1979:13).

Imaginary of Marginality: An imaginary about historically marginalized populations, held by dominant social groups (and sometimes internalized by the marginalized themselves) often containing prejudiced representations, images, stories, sometimes connected to stereotypes around race, poverty and gender. These negative representations tend to circulate in the dominant mass media and in certain forms of research and educational systems. Un-confronted, these representations come to be widespread amongst the population and perceived as the main narrative, the norm.

ESPOCC - mural outside.JPG

We often come to see and know places and people we do not personally encounter through stories and images that others create about them. These stories most commonly come to us through the media – through television, the news, the internet, etc. At the scale of a city, the media helps to virtually weave an imaginary web linking separated places and lives. We are often not very mindful of this web – this matrix of images and stories, feelings and attitudes, but also a landscape we walk through in our day-to-day lives that provides a sense of meaning to us and the world around us.

The nature of this imaginary web is shaped by those who weave it. Those weavers, often the most privileged sectors that dominate and own the media, have little experience or willingness to convey the stories and perspectives of the less powerful in those communities, especially through their own voice, their own point of view and experienced reality. Here in Rio de Janeiro, places and communities like favelas for instances.

Rio ESPOCC rede globo.jpg

The democratization of the media has been an important area of mobilization amongst civil society and social movements in Brazil for several decades. Especially since the end of the dictatorship (in 1984) gaining access to the institutions of mass communication has also come to be seen as an important right to acquire, that is intrinsically linked to the identity and practice of being a citizen in Brazil. This right-to-acquire has come from the growing recognition of the media as a force that shapes society and public opinion and, as such, something that ought to be more equitably distributed and controlled. The theme of media and citizenship, or what has been referred to as ‘visual inclusion’, has also gained importance in Brazil’s public sphere over the last two decades.

Visual inclusion here means the inclusion of a more diverse and representative presence of Brazilians and their stories across the national media. Indigenous people, Afro-descendants or else regional cultures are infrequently or else stereotypically depicted in the media which is dominated by the Rio de Janeiro and São Paulo axis (and a particular upper middle class culture and perspective from these cities).

rio - espocc poster.jpg

Visual inclusion also involves the more equitable distribution of the means of image production amongst the population. Though community radio has been around for much longer in favela communities, what we now see in Brazil is the intensification of alternative media production centers and dissemination networks, in particular through new forms of technology such as social media, digital video and photography and the Internet. Such initiatives are often aligned with grass-roots and community organizations across a number of historically marginalized groups and communities.

Rio - ESPOCC sign.jpg

An example of this kind of work is a project I came across in Rio de Janeiro around 2006, the Observatório das Favelas based in one of the citys biggest favela Complexo da Maré is large conglomeration of 16 different communities and has a population of around 140,000. The Observatioro das Favelas is a large community-NGO responsible for a number of different projects inside favela communities focusing on research, policy development and capacity building. Observatório das Favelas and others like it who, to varying degrees in scale and success operate in different favelas, see a major part of their role as involving the formation of technically competent and politically aware individuals and groups inside low-income communities. A key element in many of such initiatives is what is often referred to as Critical Communication, involving the telling of stories and conveying the perspectives of those who live in these communities, especially from members of these communities themselves. Essentially – their own narratives, stories, voice.

A pioneering project of the Observatório das Favelas is the Escola Popular de Comunicação Crítica ESPOCC (Popular School of Critical Communication) which had its first class of forty-two students in 2005 and is now in its 8th year. This project is a one-year vocational course with the aim of training young people mainly from Rios favelas and peripheries, but now also from the middle classes, to become critical communicators, to learn how to engage with and challenge the imaginary of marginality prevalent in the city.

For example, favela communities are often depicted in the mass media as violent spaces, lacking in all the things the other parts of the city have – education, work, culture, organisation, safety, and so on. Such representations mean that these places, and those who live there, bare the stigma associated with these images and stories. They have an identity imposed on them emanating from these images and stories, which have no part in creating themselves. Residents of favela communities, which as we saw in the previous post on the Museo da Maré have in some cases been here for three generations, live under and cultivate their identities under these adverse conditions, and not only this but they are also discriminated in day to day relation to others across the city and to the state.

You could say that the young people in ESPOCC learn to read the web, the matrix, the media landscape in an acute way so as to subvert it and create their own narratives and media spaces. They learn to weave different imaginaries across the city, contributing to the transformation of the imaginary of marginality into more inclusive imaginaries. I will write more about this in the next post.

We witnessed an example of the prejudiced media landscape in the city and how people have been trying to combat this during our time in Rio. Though not directly involving ESPOCC, I point to these events here as they occurred whilst we were in Rio and clearly show the kind of mass media logic that places like ESPOCC are engaging with.

The city has been busily preparing for the World Cup in 2014 and the Olympics in 2016 building many new sporting facilities. For the World Cup the city has been converting the 60 year old Maracanã Stadium (in its time the biggest stadium in the world with a capacity of 100,000) to the international criteria of FIFA demolishing some surrounding structures and buildings for new parking facilities. One of the buildings to be destroyed was the former Indian Museum which has been unused as a museum since the 1980s but which has been occupied by a group of indigenous families since 2006 in protest of plans to demolish this historically significant building. After a number of standoffs with the police Rede Globo, the dominant media conglomerate in the country, did a news piece to discredit the indigenous protesters by saying that they had been selling drugs at the premises. Armed with their own video cameras indigenous filmmakers filmed the reporter and confronted her with the lies being told about them. The clip went viral on the Internet and Globo was forced to retract their story.

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As Salvador Passos, analysing the incident put it:

The objective of this type of comment was to disqualify the families that were there. When running such news-story without due verification, the channel does a disservice to democracy. The news item provides the perfect alibi for a violent intervention and removal of the indigenous families. Suddenly, there is no more talk of real estate speculation and profits, but rather of drug trafficking and vandalism on the part of the natives, all based on images that prove nothing. [my translation from http://www.advivo.com.br/blog/luisnassif/acusacoes-da-globonews-sobre-as-tribos-do-museu-do-indio?page=1]

The story encapsulates the overlap of media interests and the imaginary they attempt to weave with the corporate logic and profit motive that pervades these mega sporting events with full endorsement of the state. Both attempt to transform the city without much concern for those whose stories and lives have no place in their imagination. That the ‘natives’ now have a camera and access to alternative media networks, like those associated with ESPOCC, means that such dominant interests cannot weave their own imaginary of the city unchallenged.

indian v globo.jpg

To see clips of the story around Indigenous occupation of the museum and Globo and its response see:

http://revistaforum.com.br/blogdorovai/2013/01/15/globo-news-se-desculpa-por-ser-leviana-com-indigenas-da-aldeia-maracana/

For a friends’ (Nayana Fernandez) short film on the story see:

https://vimeo.com/62336744

For an excellent article on the recent protests in Brasil written by the same friend see:

http://lab.org.uk/uprising-in-brazil-an-extraordinary-moment-for-change


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(English) Voices of former students (now current teachers and up-and-coming artists)

(English) Voices of former students (now current teachers and up-and-coming artists)

Posted by on nov 25, 2012 in all posts, Canada, Freda Diesing School of Northwest Art | 0 comments

Two former students – Dean Heron and Latham Mack – each gave a talk to all current students while we were there about their experiences as students.  This posting summarizes the stories provided by Dean and Latham.  These talks were recorded (filmed) as part of the second day visiting the Freda Diesing school.

Photo taken by Udi of Dean Heron (left) and Latham Mack (right)

The full versions of this footage will be sent to the school for their own use and sections of it will be integrated into a shorter film we will be editing on our experiences at the school while other sections will be integrated into a longer full-length documentary that will be representing the places we have visited and will be visited during the course of this year.  The learners and teachers at the school were each inspiring in their own way.  I learned a huge amount about the power of art, particularly within a context that provides such a warm and disciplined environment that the Freda Diesing school nurtures.

Photo taken by Udi of Dean Heron teaching the first-year students about ovoids as shown in a drawing of an eagle. All students have to draw an ovoid repetitively each day to learn the skills and techniques of drawing this essential component of Northern First Nations art.

The first person to speak was Dean Heron.  Dean is currently a teacher at the Freda Diesing school and is actively involved in the development of his own art (which we saw in the longhouse on campus, in the designs on the longhouses at Kitselas Canyon and also in some of his carved objects selling at the Spirit Gallery in Vancouver).

Photo taken by Udi of Dean Heron inside the campus longhouse. Dean helped to paint the design behind him.

Dean didn’t grow up in a First Nations cultural community – he grew up in a White family.  His adoptive parents always had encouraged him to connect with his culture which is Kaska/Tlinglit in the Yukon Territory.  He studied anthropology and political science down in Victoria which is where he met his wife.  She clearly has had a tremendous influence as to where he is now and he spoke of her with a deep appreciation, tenderness and love. Dean told us how his wife would always push him to learn more about what his heritage meant.  He admitted that when he met her he “didn’t know anything about his culture”.  His parents had bought him lots of books as a kid growing up, but he said that he did not really spend much time learning about his ancestral heritage.  He told us that after he was first married and money was low, that his wife urged him to create paintings that could be given as gifts rather than buying things.  He told us how he found that idea as a joke, that he did not feel that he had any talent artistically.  However, through his wife’s encouragement, he taught himself how to paint through a book – painting by doing.  He surprised himself by his interests in learning more and that he was not as bad as previously thought.  He began looking more into First Nations art on his own.  Eventually he found that he wanted to study Northern art – but, that it is very difficult to study Northern art in the ‘South’ down in Victoria.  One day he happened to go into a gallery in Victoria and saw carvings by Ken McNeil and Stan Bevan (two of the founders of the Freda Diesing school).  He was in awe – their work, to him, captured the essence of art.  At an event he met Dempsey Bob very briefly and they met again, by chance, at a house party event in Victoria (at one of Dempsey’s children).   He was invited by Dempsey to an event in Vancouver – and was then invited to come up to study at Freda Diesing for their first inaugural year as a school.  As an artist, Dean felt he needed much more guidance and mentoring to understand the “old art” – to understand the nuances of what he was looking at.  The school helped break it down to the fundamentals.  It changed his life completely.  He worked in Kitselas Canyon at the end of his first year – drawing, painting and carving.   He created a sculpture for the 2010 Olympics that was exhibited in Vancouver.  During the Olympics he ended up finding some of this relatives up in the Yukon territory.  He spoke passionately how art came full circle for him – he started doing it to understand more about where he was from.  It helped then to bring him back to his roots and since 2010 he has been up to the Yukon several times to meet and get to know his relatives.  He was also told right from the beginning of the first year of the importance to teach as an artist.  He started teaching immediately.  Teaching up in the Yukon – especially with young kids which he told us he has learned alot from, especially a particular 5-year old about drawing salmon!  Dean spoke for nearly 20 minutes with a tremendous passion and openness that was captivating.  Everyone in the room was very moved.

Photo taken by Udi of Latham Mack during his presentation

Latham Mack spoke after Dean for about 10 minutes.  A recent graduate from the Freda Deising school, Latham grew up in Bellacoola within his own Nuxalk community.  He told us that different to Dean, he learned his culture from a young age – through school.  His school is run completely by his First Nations Nuxalk community.  He told us that he participated in Potlatches from when he was young.  He first started carving with his uncle.  Latham told us that he used to just watch them carve – for many years.  Then one day, his uncle said, “You are here every day, you might as well start carving”.  In grade 10 he told us that a non-native guy came back and he tried to get some totem poles going.  This particular non-native guy started teaching art and Latham took the course.  Latham carved a raven which he thought was good but his grandfather didn’t like that a non-native was teaching him.  So then his grandfather taught him and Latham carved under him.  In 2008, he applied to study at Freda Diesing and was accepted as a student.  He told us that had he not been accepted into the program, he would have worked in the diamond mines which many young people go to work in because of difficulties in locating work and the decent pay that such work offers.  Latham told us that the school opened up many doors for him – he had his work displayed at the Vancouver airport in 2009/2010 (by winning the scholarship twice for his work to be displayed).  He is currently an apprentice of Dempsey, who mentors him.  Latham’s work is also on display at the museum at Vancouver.  He was also able to participation in work in Kitselas Canyon with Dean and other students.  Latham has travelled to New Zealand to give carving workshops to Maori artists.

Killer Whale, by Latham Mack

Latham told us that now he can look at any design and understand the shapes and the forms.  Before he did not understand these – the school helped him to learn this.  Udi and I bought one of Latham’s prints – of a killer whale.  The colours, style and presentation of the print are stunning.   It is his first print that he is selling publicly.

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